Though silk is the standard material for a neck tie, James Bond shows plenty of love to silk beyond ties. Silk is often considered one of the world’s most luxurious fibres, due to its sheen and soft hand and because of its history as a rare and expensive fibre in the West. Silk now is commonplace in the West, but its standard use in menswear comes in the form of small pieces of neckwear or for the facings on a dinner jacket. There’s nothing special about a silk tie, especially when new silk ties can be had cheaply.
In large garments such as suits, jackets, trousers, dinner jackets, shirts, gowns, knitwear and socks, silk is still a special material. Because of its delicacy, difficulty in laundering, warm-wearing properties and expense, the average person does not wear silk garments on a regular basis, let alone any. When James Bond wears silk, it sets him apart as an unusual and special person.
The silk dupioni suit was a favourite of Roger Moore’s Bond in the 1970s, but it first showed up on Sean Connery in From Russia with Love tailored by Anthony Sinclair. Silk dupioni is known for its slubs, knots and lumps that give the silk an imperfect look. These “imperfections” are signifiers of this luxurious fabric, and they showed Connery’s Bond to be a man of luxurious taste.
The silk dupioni suit did not become a mainstay of Bond’s wardrobe until Roger Moore wore it again in the form of a dark grey double-breasted suit from Cyril Castle in Live and Let Die, and silk suits would continue to appear in Moore’s Bond’s wardrobe in each of his 1970s Bond films through Moonraker in grey and brown.
The silk suit performs best in moderately warm weather. It looks out of place when the weather is cold, but when the weather is hot silk acts as an insulator and wears very warm. Silk is also a very rigid material and does not have much natural give, thus it can feel stiff. It does not serve Bond well when he needs to be running and shooting in his suits.
Silk most recently appeared in a suit in Spectre, where Daniel Craig wears two Tom Ford suits of a 70% wool, 18% silk and 12% mohair blend. These are the herringbone track stripe suit and the damier check suit, both worn in London scenes. This blend gives what is mostly a wool suit some additional sheen for a more luxurious look with the better performance of wool and mohair.
Silk sports coats are more common in the real world than silk suits are, but Bond wears fewer silk jackets than he does full suits. A few of Bond’s sports coats are silk blends rather than 100% silk. Roger Moore started off his Bond run with two silk sports coats made by Cyril Castle. In Live and Let Die he wears a tan basketweave sports coat that is likely a blend of linen and silk. Silk and linen is a popular blend because silk mitigates some of linen’s wrinkling while also keeping its appropriate warm weather look. In The Man with the Golden Gun, Bond wears a checked sports coat that is likely a blend of wool and silk. In this garment, the silk adds some shine to the wool, bringing it to life in sunny Southeast Asia.
In Spectre, Daniel Craig brings back the silk-blend jacket with a 51% wool, 41% linen and 8% silk-blend jacket from Brunello Cucinelli. The small amount of silk is to provide a bit of crispness and texture, though it would not immediately be noticeable.
James Bond occasionally chooses silk for his warm-weather off-white dinner jackets, and the luxury of silk is never inappropriate in a dinner jacket. Though silk does not perform best in hot weather, it looks best in warmer weather. While Sean Connery wears his off-white dinner jackets in wool, Roger Moore wears his first in silk dupioni in The Man with the Golden Gun. He wears this Cyril Castle dinner jacket in Thailand, a country known for its silk, so it’s undoubtedly a fitting place to wear this garment. Mother-of-pearl buttons complement the shiny silk of the jacket.
The off-white silk dinner jacket returns on Roger Moore in A View to a Kill, in an example made by Douglas Hayward. He wears this one in the French countryside in the summertime, where it is usually cooler than Thailand but looks good when the sun doesn’t set until near 10 pm. He’s likely more comfortable in silk here than he is in The Man with the Golden Gun. Because this dinner jacket has horn buttons and notched lapels, it could double as an sports jacket and pair nicely with tan linen trousers for the daytime.
After 30 years of James Bond not wearing an off-white dinner jacket, it returns on Daniel Craig in Spectre. This jacket by Tom Ford is a faille blend of 56% silk and 44% viscose. Blending the silk with viscose makes this a more practical silk jacket in warm weather because it is more breathable. This jacket has the addition of grosgrain silk facings on the lapels and buttons, following the current trend. Off-white dinner jackets traditionally do not take silk lapel facings, but it is especially a bad idea when the dinner jacket has a silk body. Silk lapel facings visually compete with the silk body.
Silk shirts and dress shirts are also some of Bond’s favourite garments. Silk shirts are not the most practical garment, but Bond takes pleasure in the way he dresses despite what serves his active lifestyle best. This use of silk for Bond’s shirtings starts with Ian Fleming. In Casino Royale, Fleming writes about Bond, “He looked carefully round the room to see if anything had been forgotten and slipped his single-breasted dinner-jacket coat over his heavy silk evening shirt.” In Moonraker, Bond wears “a heavy white silk shirt” with his navy serge suit. Because Fleming’s Bond revels in wearing the most luxurious materials against his skin, silk shirts are a favourite of his.
Sean Connery wears a Turnbull & Asser silk shirt with a flannel chalk stripe suit in From Russia with Love. It is his only shirt in the film that is not a pale blue Sea Island cotton, and it stands out through its dull sheen and unique ecru colour, the colour of natural silk.
Roger Moore, the spy who most loves silk, wears a number of silk shirts throughout his time as Bond. Pleated evening shirts in silk Crêpe de Chine were a favourite of his, particularly for warm weather. Crêpe de Chine is a soft and lightweight silk with a subtle crepe texture. The fabric is semi-sheer, making it a good shirting for warm weather in comparison to the tightly woven silk poplin. The pleats in the fronts of Moore’s Crêpe de Chine evening shirts make the visible part of the shirts opque. These Crêpe de Chine shirts are in a natural ecru colour, making them stand out compared to ordinary white evening shirts. He wears silk evening shirts from Frank Foster in The Man with the Golden Gun, Octopussy and A View to a Kill.
Moore also wears silk shirts beyond black tie. One of the most memorable of his silk shirts is a blue and ecru striped shirt from Frank Foster in The Spy Who Loved Me. In The Man with the Golden Gun, Moore even wears a casual shirt of silk Crêpe de Chine. It is breathable in Thailand’s humidity, but it has a double-layer front to make the front opaque. Silk works especially well for casual shirts because it drapes well. Moore shows that silk can work for shirts of all formalities, from black tie to sportswear.
Silk isn’t just for show. James Bond wears silk dressing gowns in private, where only he and his female friends can enjoy them. Wearing a silk dressing gown is a sure way to impress a guest for the night. Sean Connery wears one in black and white nailhead in Goldfinger and another in navy silk in Thunderball.
Roger Moore is introduced as James Bond in a yellow dressing gown in Live and Let Die, and despite his love for silk his first garment in the role is cotton on the outside. However, it is luxuriously lined in silk. While a silk lining in a suit doesn’t do much but unpleasantly warm up the person inside, a silk lining in a dressing gown is felt against the skin. He’s keeping his luxury to himself.
Though silk may be the standard material for neckwear, it still needs a mention. Along with the commonplace repp and satin-weave ties, James Bond wears ties of textured grenadine and knitted silk, elegant fancy ribbed silk, shiny and slubby shantung silk, complex jaquard-weave silk patterns and creative silk prints. His quintessential black satin or grosgrain bow tie also needs a mention. James Bond appreciates the fanciest and most unusual of silk ties, rarely wearing something ordinary.
In fact I have been (eagerly!) awaiting a post covering this subject and, as usual, you did that both thoroughly and exhaustively.
Not only Bond, but (many!) villains enjoy silk as well. You already have covered some of that, but there are still gaps to be filled. E.g.: Dr. No (Nehru suit in silk), Blofeld in FRWL (silk shirts worn with his black suit), Stromberg (dark red silk garment in TSWLM), Drax (Nehru jackets in MR), Kamal Khan (several of his Nehru jackets in OP) and, for sure, still some more to be discoverd in the recent Bond films (LeChiffre wearing a cream silk shirt on his yacht in CR).
Great article! I’ve often wondered about the “heavy silk shirts” favored by Fleming’s Bond.
Do you think Lazenby’s light blue suit could contain some silk? What about the cream suit? I realize we don’t see much of either.
I will have to look more closely at the light blue suit later. The cream suit looks like all linen to me.
Speaking of silk, recent went to the brioni outlet where they actually had raw silk dinner ivory dinner jacket in my size. I was about to pick it up when I noticed a green stain neat the lapel. Even the salesman was kind of advising against it.
Do you think it’s wise to attempt to purchase the jacket and try to remove the stain?
the fact that it’s silk is what scares me.
At 90 percent off it might a 1000 dollar mistake.
It’s risky. Getting stains out of silk can be especially difficult.
Silk is a fantastic fabric as it adds a new level of class and elegance in an outfit from suits to sport coats, from ties to dressing gowns, Dinner jacket facings to even shirts. Matt, would you consider doing a post about linen, as it is something Bond has worn quite often only second to wool and silk?
Perhaps next summer!
Thanks Matt. Looking forward to it next summer
I suppose the only subject you didn’t cover was silk pocket squares. How often does Bond wear silk vs cotton or linen pocket squares?
Pierce Brosnan wears a few silk pocket squares in GoldenEye. Connery wears linen and Craig wears cotton.
I’ve been looking for a silk shirt in the style of Bond’s, however I’m only finding cheap Chinese satin shirts. Any idea where I’d find a reasonable one?
Emma Willis has some (cream silk evening shirts), as well as Budd (dress shirts in cream).
“Because this dinner jacket has horn buttons and notched lapels, it could double as an sports jacket and pair nicely with tan linen trousers for the daytime.”
-In an interview (the one you posted on this website) Temime stated that a dinner jacket of the kind she designed for Craig in SPECTRE could be worn with jeans (!) as casual wear. That might be the reason why it has two buttons and a single vent – for purposes of “dual use” (with the Tom Ford customers in mind). But that can’t work because SPECTRE’s dinner jacket has silk facings. But I shouldn’t be surprised if she would think that this is still OK.
I agree. Without the silk facings it could work well as an odd jacket. A traditional ivory dinner jacket in silk or linen can work as a sports coat so long as it doesn’t have a shawl collar. In wool like Connery’s jackets it will look to formal. Any of Roger Moore’s three ivory dinner jackets could work as a sports coat because of the less conventional materials and the double vents. Pocket flaps would help because they could be tucked in when worn as a dinner jacket and left out when worn as a sports coat.
All right, I can go that far. Without shawl collar (and also without peaked lapel) and facings it might work. But I am still in doubt about “silk jacket and jeans”. (Pure) silk is too fancy and delicate to be worn with denim – that for sure would clash. Silk and linen with jeans could do the job, but nonetheless as a combination of both would be rather crude. Instead perhaps some khakis (for casual) or linen resp. wool trousers (for a more sophisticated appearance).
Right. Silk and jeans don’t go together but linen and jeans can.
What I meant is a blend of silk and linen (pure linen and jeans: sure). Depends on the ratio I would say (60% linen, 40% silk would be safe IMO).
Matt, how do you know that it was Crêpe de Chine silk Moore’s shirts were made of? Is it perhaps an information you got from Frank (or Mary) Foster?
Thank you and
Yes, Mary told me about it.
For shirts, is there an alternative fabric you would recommend that comes close to the characteristics of silk?
I don’t know if Zendaline shirting is still available, but that’s the closest I have. Sea Island cotton is the next closest thing. I have some Sea Island cotton with quite a sheen.
Haven’t commented here in a while, Matt. I hope you’ve been well.
It was reaching 76°F in Western Washington today, and I was wearing my silk shirt. It might just be me, personally, but from my own experience – and strictly so – I can tell you, I did not feel like I was burning or steaming in my shirt. The shirt was bespoken via Mr. Fish, using Acorn spun silk. I truly felt calm and cool – well, cool, as in not burning – and it felt amazing. I sat outside my workplace during lunch break, absorbing as much sunlight as I possibly could, and not a single drop of sweat, nor any discomfort from heat.
Bear in mind, all of you, that this is just me, and I may just be an absolute “weirdo”, but personally, silk really was something else.
I hope this lengthy, “ranty” excerpt gives you something, Matt, as well as other fellow readers of the blog.
Thank you for the report. Can you let us know how the shirt feels in hot weather, should you experience it?