Bond almost always wears business attire when in London. Bond simply wouldn’t look like Bond if he was walking around London in anything other than a suit and tie. For scenes near Hammersmith Bridge and inside Universal Exports and Belmarsh Prison, Bond is fully in his element thanks to his suit.
Daniel Craig’s second and final Tom Ford lounge suit in No Time to Die is another checked suit, and this time it is in black and navy with what appears to be a bit of light grey to liven it up. Overall it has a charcoal blue look. Daniel Craig is the only James Bond actor to have worn blue checked suits, and it’s somewhat of a signature suit for his Bond based on it being his most recurring suit. this is his third after the subtle charcoal blue checked suit in Casino Royale and the mid-blue Prince of Wales check suit with a bold blue overcheck in Spectre. Like many of the other garments in No Time to Die, this suit has some common threads with Craig’s previous garments in the series.
With only two formal lounge suits from Tom Ford in No Time to Die, it’s unusual that they are both checked suits. Tom Ford also made a grey melange pinpoint suit for No Time to Die that didn’t appear in the film, and it would have been nice if either of the checked suits were replaced with that suit for more variety in a wardrobe with only four tailored outfits, the fewest of all of Craig’s Bond films.
The blue suit has a slightly more formal and more serious look than the grey checked suit because the colour is darker. Bond wears this suit when he is reinstated as a 00, and it’s appropriate for the occasion. The cloth is woven in a hopsack weave and is 94% wool and 6% silk, making it the most luxurious suit of all of the suits in No Time to Die, though there’s little sheen from the silk. Compared to the black and grey glen check suit, the blue suit’s pattern is slightly larger but it’s still tasteful and elegant. It is not a traditional Glen Urquhart check or Prince of Wales check, though Tom Ford call it the latter. It is related to those checks, and fits into the general glen check category. The check looks like something out of the 1960s, albeit not 1960s Bond.
The blue checked suit is made in the Tom Ford ‘O’Connor’ model, and it is identical to the black and white checked suit from the previous scenes. It has a button two, show one jacket fastening, also called a ‘three-roll-two’. The jacket is cut like a button-two jacket, and there’s a third button and buttonhole hidden under the lapel. The jacket has narrow, high-gorge notched lapels, which are slightly narrower than on the Tom Ford ‘O’Connor’ suits in Spectre.
The jacket has a very close fit with a slightly short length. The cuffs have four buttons with only the first three fastened, and the last buttonhole is longer than the others, which is typical for Tom Ford’s finishing. The jacket’s shoulders are lightly structured and have roped sleeve heads.
There is a single vent in the rear of the jacket, following Craig’s preferred style since Skyfall. The breast pocket is Tom Ford’s usual curved ‘barchetta’ shape. The hip pockets are gently slanted with flaps, and the flaps look slightly large compared with the narrow lapels.
The trousers have a low rise, a flat front, slide-buckle side adjusters, narrow straight legs and turn-ups.
Like the other Tom Ford suits in the film, there are a few issues with the fit. The chest is too tight, which causes issues with the collar fit. I found the collar standing away from the neck to be more noticeable on this suit than on the others, even though it’s a problem that all of the suits in the film have. The camera angles, close-up shots, and many moments of standing around without much movement draw attention to this issue the most with this suit. The poor fit of the the jacket collar makes the shirt collar stand out more.
The Tom Ford shirt is light blue with a point collar, ‘Dr No’ cocktail cuffs and a front placket. The point collar is likely the same one that he wears throughout Spectre, but it looks different because here he wears the collar stays that he left out in Spectre. The collar stays give the collar considerably more presence and emphasise the point length. The blue colour looks perfect on Daniel Craig because of how it enlivens his complexion and brings out his blue eyes. It’s a shame he hasn’t worn more blue shirts in his Bond films. His shirts throughout his Bond tenure are split evenly between blue and white, but blue is considerably more flattering on his light, low-contrast complexion.
The tie is from Prada—a brand already familiar to Craig’s Bond with a belt in Quantum of Solace—has a subtle pindot pattern. It is a fairly lightweight tie, so its four-in-hand knot is smaller than that of a Tom Ford tie. Z of @Tie_Another_Day and Mattia De Varti identified this tie with my assistance. The tie comes in black and navy, and there is no official word on which colour the tie is. Because the suit has both blue and black in it, either tie would go with the suit. In different outdoor shots, it looks like the tie could be either black or navy, but at the time of writing this article I’m leaning towards it being black. Like with the black and grey suit, he wears a rhodium-plated tie slide from Benson & Clegg. They’ve since renamed the tie slide the ‘James’ to honour its use in the film. It is 4.4 cm long and 0.6 cm wide, so it goes nicely with the narrow tie. It slides onto the tie and stays on with pressure. There is no clip or clasp. It fits quite snugly on the tie and does not work well with very thick ties.
Bond wears it at the same height as his pocket square, where it visually competes with the pocket square. It should ideally be placed lower, around the height of the jacket’s top button or between the top button and breast pocket.
The tie bar is meant to clip both the wide and narrow blades of the tie to the shirt’s placket so it stays in place, but the bar is not attached to Bond’s shirt and the tie flaps about. The tie has a keeper to keep its narrow blade tucked behind the wide blade, so Bond is merely using the tie slide for decoration and not for its intended purpose.
Instead of matching his pocket square to his blue shirt, Bond wears a folded white pocket square in the Connery-Bond fashion. The white pocket square breaks up the tone-on-tone look of the outfit.
He again wears the black Crockett & Jones Highbury three-eyelet, plain-toe derby shoes with Crockett & Jones’ own ‘City’ sole, a studded rubber sole that they developed with the Harboro Rubber Co. It has more subtle studs, a sharper edge trimming and a reduced waist compared to the Dainite sole, so it looks dressier and more like an elegant leather sole from the side.
He also wears the Barton Perreira ‘Joe’ sunglasses again in black with Vintage Grey lenses with this suit. They have a wide and slightly angular look.