Sean Connery’s suits in Goldfinger aren’t the only clothes to have been worn by a James Bond actor in a previous non-Bond film. In Connery’s case, many of his clothes in Goldfinger were originally made for Woman of Straw. During his longest break between Bond films, Roger Moore made an Italian film called Street People in 1976. Though Street People was released half a year before filming in Egypt began for The Spy Who Loved Me, a certain cotton suit jacket from Roger Moore’s Street People wardrobe was reused. That cotton jacket is the tan jacket with safari details that Moore wears in the Cairo and Giza scenes in The Spy Who Loved Me.
In Street People, the cotton jacket was part of a tan suit with matching trousers, possibly made by Angelo Roma, Moore’s tailor at the time. In most cases, suit jackets don’t work well without the matching trousers, but the casual cotton material as well as the sporty safari details make this jacket work well on its own. It may even work better with the stoned-coloured trousers that Moore wears it with in The Spy Who Loved Me. In Street People, the details on the jacket are brought to attention more by the wearing trousers that don’t distract from the jacket (not that the trousers in The Spy Who Loved Me are distracting).
Tan is one of the best colours for a cotton suit since it looks great for warmer weather and fits the suit’s casual material. Tan also looks great with Roger Moore’s warm tan complexion and golden brown hair.
The structured suit jacket could have been made by Angelo Roma since the silhouette is similar to the other suit jackets that Roger Moore wears in both The Spy Who Loved Me and in Street People. It has a clean, trim cut with straight shoulders, roped sleeve heads and a suppressed waist. If the wide lapels don’t make the jacket look dated, the safari-esque details do. It has shoulder straps, a belted back with a deep single vent, belted sleeves, patch hip pockets with flaps and a set-in breast pocket with a flap. The jacket has swelled edges all over to reinforce the garment.
Differing from Roger Moore’s typical suit jackets at the time, the lapels have a slight fishmouth shape and the front quarters are cut closed with the bottom corners only a little rounded. The closed, straight quarters give this jacket a more military look that goes with the safari details. The jacket’s brown buttons are probably made from the Tagua nut which comes from the seed of a tropical palm and is similar to ivory. These buttons are also known as corozo and are commonly used by Italian makers for suit buttons since they can be dyed in colours to match the suit. In brown they go especially well with the safari jacket look.
The suit trousers are similar to the Angelo Roma suit trousers that Roger Moore wears in The Spy Who Loved Me. They have a flat front, no belt loops and wide, flared legs. They differ from Moore’s trousers in his Bond films by having turn-ups. The turn-ups are approximately two inches, but they don’t look so tall because the bottoms of the trouser legs are so wide. Ordinary 1 1/2 inch turn ups would look very short on such a wide hem. Despite the suit being one of the most fashion-forward items Roger Moore has ever worn, it is well tailored and creatively tailored.
Moore wears this suit either with a open-neck cobalt blue shirt or a dark brown polo neck jumper. The cobalt blue shirt has a long point collar, a front placket and cocktail cuffs with a rounded and contoured shape. The shirt is made by Frank Foster. The contoured shape of the cuffs is different from the straighter cocktail cuff design that Foster made for The Man with the Golden Gun and Moonraker before and after this film, respectively, but Foster used to experiment more with cocktail cuff shapes. The collar and collar band shapes on this shirt are very similar to the collars Foster made for The Spy Who Loved Me and Moonraker, but this collar is a little shorter. The shirt’s buttons are shiny medium blue and possibly made of shell. Moore wears the collar button as well as the first three buttons below the collar open. The buttons are spaced a little closer together and higher than on an ordinary shirt, but it’s still a lot of buttons to have open and looks a bit sleazy.
The dark brown ribbed polo neck jumper must be lightweight to be comfortable in the seemingly warm weather in this film. However, even a lightweight jumper looks too heavy to wear with a light cotton suit.
With the suit, Moore wears dark brown socks, except for one shot where light brown socks are visible. His shoes are chestnut brown square-toe slip-ons. Briefly he wears a pair of large plastic oval sunglasses.