For the first color series production of The Saint, Roger Moore takes full advantage of the color and wears a steel blue tweed sports coat made by his usual tailor Cyril Castle. Moore first wears this jacket in the fifth series episode “The Man Who Liked Lions” and later during the fifth series in “The Persistent Patriots” and “The Fast Women”. He wears it in two sixth series episodes, “The Fiction Makers” and “The House on Dragon’s Rock” that were actually part of the fifth series production. It is worn the most in “The House on Dragon’s Rock”, and the outfit Moore wears with it is what is featured in this article. The episode first aired on 24 November 1968.
Moore’s tweed is woven in a twill weave with a blue ground and has white flecks. It looks similar to a donegal tweed, but donegal is woven in a plain weave rather than a twill. Blue tweeds are somewhat unorthodox, being a country cloth in a city colour. Tweeds are traditionally in earthy colours—the brown and green families—or in neutral greys. Because a blue tweed jacket is an anomaly, a blue tweed jacket must be worn carefully. In the country, it should be avoided in autumn when browns completely dominate nature. In the country in winter it can fit in with the snow so long as the blue is muted. In spring, however, any blue can look good anywhere. Though tweeds aren’t traditionally worn in the city, a blue tweed jacket is a solid choice for casual wear amongst the concrete and steel.
This jacket is Moore’s only jacket with two buttons in the entire run of The Saint, apart from an unfortunate ivory dinner jacket with two buttons that he wears in the early episodes of the series. Compared to his typical button three jackets from The Saint, this button two jacket makes Moore look less top-heavy and more balanced. The jacket is cut with a swelled chest and a closely nipped waist for an athletic look. The shoulders are lightly padded with roped sleeve heads, but the shoulders look more built-up than they are due to the heavy tweed. The jacket is detailed with double vents, single-button gauntlet (turnback) cuffs and straight flap pockets with a ticket pocket. The jacket has swelled edges on the lapels, the collar, the front edge, the pocket welt and flaps and the gauntlet cuffs. The jacket’s buttons are black horn, though brown horn would have been a more fitting choice due to the rustic look and warm tones Moore wears with the jacket.
In “The House on Dragon’s Rock”, Moore wears this jacket with medium grey flannel trousers that have a darted front, frogmouth pockets and straight legs. In some other episodes he wears tan twill trousers with this jacket, and almost any neutral trousers can pair well with a steel blue jacket. All shades of grey can work, from a light ash to a deep charcoal. Though black trousers won’t clash with this jacket, they will make the blue pop in a bold way, whilst charcoal trousers will give a similar look that is softer and more elegant. Anything in the brown family can work, from a light beige to a dark chocolate. Though cream and white trousers wouldn’t necessarily go with a cool-weather tweed jacket, they would be perfect with a steel blue linen or silk jacket in warm weather. Olive trousers, though often considered neutral, don’t work so well with a blue jacket. As triadic colours, blue and olive compete with each other when there are large amounts of both colours.
Moore’s ecru shirt has a moderate spread collar, plain front and double cuffs. The narrow tie has wide brick red and grey stripes separated by narrow black stripes in the classic British direction, and it is tied in a four-in-hand knot. Moore’s shoes are dark brown short chelsea boots.