James Bond isn’t the only government agent who is a master of black tie. Cary Grant wears a textbook example of classic black tie as American agent T.R. Devlin in the Alfred Hitchcock film Notorious, which also stars Ingrid Bergman and Claude Rains. Devlin’s suit is the ultimate example of the three-piece black dinner suit. Suits like this one inspired the three-piece dinner suit that Pierce Brosnan wears in GoldenEye. Devlin’s dinner jacket is a button one with satin-faced peaked lapels, and it is cut with a full chest and suppressed waist. The shoulders are straight and wide, made to balance Cary Grant’s large head against his very slim body and to give him more presence. The wide peaked lapels also give him more presence and were fashionable at the time. The dinner jacket has the traditional details of jetted hip pockets, button four cuffs and no vent in the rear. The buttons are black plastic. The dinner suit’s trousers have forward pleats, wide legs, and a satin stripe down each leg. They are finished with a straight hem and no break.
Underneath the dinner jacket, Devlin wears a black low-cut waistcoat. The waistcoat can hardly be seen, and that’s the way it should be. It probably has four buttons, and the buttons are closely spaced on the front. Two buttons can be seen peaking out above the dinner jacket’s button. Traditionally, black waistcoats for black tie are made in the same cloth as body of the dinner suit with shawl-style lapels in silk to match the jacket’s lapels and trouser stripe. Since the waistcoat can hardly be seen, this is only a likely possibility of what the waistcoat may look like.
The dress shirt has a marcella bib, spread collar and double cuff. The collar and cuffs have traditional quarter-inch stitching, and the shirt does not have a separate placket on the front. The front closes with two square mother-of-pearl studs, and the cufflinks match the studs. There only problem with the shirt is that in some shots the left side of the collar seems to have a difficult time laying flat under the waistcoat. Either Cary Grant’s shirts weren’t made to take collar stays and the collar wasn’t starched enough, or he didn’t like collar stays. The black satin silk bow tie matches the jacket’s facings. The bow tie is a thistle shape and is a little smaller than usual. Alan Flusser writes in Dressing the Man that “its width should not extend beyond the outer edge of a person’s face, and definitely not beyond the breadth of the collar.” This bow tie easily meets those requirements. Devlin wears a white pocket handkerchief with his dinner suit, though the amount of it peaking out of the breast pocket varies throughout the scene. Devlin’s black shoes are plain-toe oxfords (balmorals to the Americans), and whilst they are shiny it is difficult to tell if they are patent leather as they properly should be.
When Devlin leaves the party he dons the full-length chesterfield coat that he carried in with him. The double breasted chesterfield is most likely charcoal grey and it has six buttons with two to button. We see Devlin fastening the anchor button inside the coat—which is behind the middle button on the left side—when he puts it on. The coat has peaked lapels, straight, flapped hip pockets, a welt breast pocket, three-button cuffs and a centre vent.