Bond goes hang gliding in Live and Let Die wearing a dark navy silk leisure suit-like outfit. Though the brief scene is very dark—helping considerably to disguise the fashionable aspects of the suit—there are a few great stills of Roger Moore wearing the suit with a white shirt, Royal Navy regimental tie and black horse-bit slip-ons. The tailored jacket made by Cyril Castle is structured with straight, narrow shoulders and a clean chest. It’s a button-four with a straight front, narrow lapels, a large collar, single-button cuffs and double vents. Though it has four patch pockets on the front with button-down flaps, the lack of shoulder straps—and technically a belt—it’s not a safari jacket by any means. Proper safari jackets also are not structured. Sadly, it fits into the leisure suit category more than any other. But that doesn’t mean it’s not a beautifully-cut suit, because it surely is. If it were unstructured it would be easier to pull off today.
The flat-front trousers have a slightly flared leg. Bond wears a brown and white butcher stripe shirt under the suit, and he wears a navy neckerchief to hide the light-coloured shirt in the dark night sky.
But the outfit isn’t what it seems to be. Upon landing, Bond reverses the jacket into a button-two beige linen suit jacket and breaks away the trousers to reveal matching beige suit trousers. The reversible jacket and break-away trousers are only worn for the one shot of him changing his clothes. It’s not possible to have a button-four jacket with a a straight front to reverse into button-two suit jacket with a rounded front. And wearing two pairs of trousers would look too bulky for filming. I’ll write more on the beige linen suit later.