On Her Majesty's Secret Service

When shopping for a wedding ring with Tracy at Rossio Square in Lisbon, Portugal in On Her Majesty’s Secret Service, and again later when purchasing the ring, George Lazenby’s James Bond wears a light blue lightweight tropical wool suit. The light blue suit had come into fashion in the 1960s...

The single-breasted suit with peaked lapels is uncommon in James Bond's wardrobe, but most of the actors who have played Bond have worn it in other roles. Peaked lapels—or peak lapel, pointed lapel or double-breasted lapel—are typically found on double-breasted jackets and coats. It likely originated from

A significant portion of On Her Majesty’s Secret Service puts George Lazenby's James Bond in disguise as genealogist Sir Hilary Bray from the College of Arms, played by George Baker. Bond meets with Sir Hilary at the College of Arms in London and later wears the same suit, coat and glasses as part of his disguise.

Casual jackets are among the most popular items of James Bond's wardrobe simply because practically everyone wears them. The jacket is the most important...

James Bond has always followed fashion trends and made an attempt to look current. Fashion has many meanings. Fashion is often defined as the...

Sean Connery established James Bond’s suit style in the first five films as mostly grey-toned with the occasional blue and brown. George Lazenby’s first lounge suit as Bond in On Her Majesty’s Secret Service is none of the above, establishing a fresh look for a new Bond actor.

For James Bond’s first of two visits to the office in On Her Majesty’s Secret Service, George Lazenby introduces a new type of suit to the James Bond character: the classic London three-piece business suit. Compared with Sean Connery’s suits, Lazenby’s office suit combines a traditional style with a more modern fit.

The scene in On Her Majesty’s Secret Service when Bond cracks Gebrüder Gumbold’s safe does not sound exciting on paper, but it comes together as one of the film’s most memorable scene thanks to Peter Hunt's suspenseful direction, John Barry's eerie music and Marjory Cornelius’s sophisticated costume design via Dimi Major's jaunty tailoring.