James Bond’s Morning Suit at Royal Ascot in A View to a Kill
After Bond's mission briefing in A View to a Kill, M gives Bond exactly 35 minutes to get properly dressed for a visit to the Ascot Racecourse for Royal Ascot. Morning dress is required for attending Royal Ascot in the Royal Enclosure, the most exclusive of the enclosures. The current dress code
A Grey Sports Coat for James St. John Smythe in the Country in A View to a Kill
Original article published 12 February 2011 I am in the process of rewriting and revising old articles about James Bond’s outfits that are in need...
James Bond’s Top (00)7 Short Casual Jackets
Casual jackets are among the most popular items of James Bond's wardrobe simply because practically everyone wears them. The jacket is the most important...
A Tan Gabardine Suit in San Francisco in A View to a Kill
Roger Moore introduced James Bond to the tan suit in his first Bond film Live and Let Die, and it became a staple of his wardrobe in various permutations from pale sand to rust brown in six of his seven Bond films. The tan suit in A View to a Kill
Doug Hayward’s Unique Tailoring Style Defines Quiet Luxury
Of all the London tailors who dressed James Bond, the name Doug Hayward carries the most recognition. He had a rich history with James...
The Outraged Taiwanese Tycoon’s Beige Suit in A View to a Kill
At the request of Luke Taggart from @BondsApartment, I'm taking a closer look at a suit worn by another unnamed character. This character in...
(00)7 Times When Roger Moore’s Bond Came Ill-Prepared in Loafers
Roger Moore's James Bond is known for his penchant for loafers, whether they're penny loafers, bit loafers or tassel loafers. While the plainer loafers...
Bond Wardrobe Review 14: A View to a Kill (1985)
A View to a Kill is not only Roger Moore's final Bond film, it also completes a trilogy. It's the third and final of Moore's 1980s Bond films, the third and final of Moore's Bond films directed by John Glen and the third and final of Moore's Bond films tailored by Doug Hayward.
