When James Bond enters his room at Franz Oberhauser’s desert crater lair in Spectre, he finds a blue sharkskin suit laid out on the bed for him. Bond is expected to wear this suit when joining Oberhauser for afternoon drinks. The suit from Tom Ford is in the same O’Connor model as most of the other suits in Spectre, even though this is technically not Bond’s own suit but rather one that was only provided for him. This could give an excuse for this suit’s fit problems, but that excuse doesn’t hold up considering all of the O’Connor suits in the film fit the same way.
The suiting is a 100% wool super 110s sharkskin (also known as pick-and-pick) woven with dark and light blue yarns for an iridescent look. Though there’s no mohair content in the cloth, the different blues in it give it a shiny 1960s look. Depending on lighting, the suit can look anywhere from dark navy to medium blue. In person, the suiting is brighter and more vivid than it looks on screen. This suit is perfect for social occasions, both during the day under the sun and in the evening under artificial light. The cloth is too shiny for most business.
Being the O’Connor model designed by Spectre‘s costumer designer Jany Temime and Tom Ford, the cut and details match many of the other suits in the film. The jacket has straight, padded shoulders with roped sleeve heads, a close-fitting chest, a too-tight waist and a fashionably short length. The front has three buttons with narrow lapels rolled to the middle button for a button two look. This is known as “button two, show one” or “three-roll-two”. The lower foreparts are cutaway for a dynamic “X” on the front of the jacket. The jacket is detailed with a single vent, slanted hip pockets, a curved “barchetta” breast pocket and four buttons on the cuffs. The last buttonhole on the cuffs is longer than the rest, and Bond wears the last button open.
The suit trousers have a wide extended waistband, slide-buckle side-adjusters, side seams curved forward at the top with on-seam pockets, narrow straight legs and turn-ups. They have a low rise, which reveals a triangle of shirt below the jacket’s fastened button. The trousers with this suit look even shorter than the trousers in the rest of the film and don’t even touch the shoes. High-water trousers don’t serve a purpose in the desert!
With this suit Bond wears a white cotton poplin shirt with a point collar, double cuffs, a front placket and back darts, which give the shirt a close fit in the small of the back. The shirt has a close fit overall, but it’s not too tight like the suit jacket is. He matches the shirt with a folded white handkerchief in his suit jacket’s breast pocket. The tie is dark navy silk repp in a colour Tom Ford calls “ink”. It is darker than the suit, but the hue is the same as the suit’s so it matches well. The tie is 7.5 cm/3 inches wide, and it’s tied in a four-in-hand knot. Bond’s shoes are the Crockett & Jones Norwich model. They are black calf five-eyelet, cap-toe derby shoes with Dainite studded rubber soles. He matches the shoes with black socks.
This suit is likely the same suit that is in the gun barrel sequence at the start of the film.
Some of the images here have been colour-corrected due to the filters on the film that make it look overly warm.