In Spectre‘s pre-title sequence in Mexico City, James Bond wears a blue Prince of Wales check wool suit from Tom Ford. A Prince of Wales check in this usage of the term is a glen check with an overcheck, which may also be called a windowpane. The glen check is medium blue and black whilst the overcheck is light blue in a more vivid tone in the warp than in the weft. A black and blue check makes this unusual compared to the more typical black and white and black and grey variations that Bond has worn in the past. The overcheck is a bold six yarns wide, which makes it the dominant pattern on the suit. Ordinarily, overchecks on a Prince of Wales check are thinner and stand out less. Because the overcheck on this suit is so dominant, it wouldn’t be inappropriate to call this a windowpane suit, but that oversimplifies what the suit’s pattern truly is.
Since the base of the suit’s cloth is medium blue and black, the colours blend together into an air force blue. The colour of the suit is still lighter and more vivid than an ordinary blue suit, but the colour looks perfect for Mexico City’s warm weather and helps Bond to stand out from the crowd during the Day of the Dead festival. The lighter blues in the suit are flattering to Daniel Craig’s warm complexion and bring out his blue eyes.
The jacket is the O’Connor model designed by costume designer Jany Temime in collaboration with Tom Ford for Spectre, with straight, padded shoulders that have roped sleeve heads, a close-fitting chest, a too-tight waist and a fashionably short length. The front has three buttons with narrow lapels rolled to the middle button for a button two look. The lower foreparts are cutaway and reveal a triangle of shirt below the jacket’s fastened button. The jacket is detailed with a single vent, slanted hip pockets, a curved “barchetta” breast pocket and four buttons on the cuffs. The last buttonhole on the cuffs is longer than the rest, and Bond wears the last button open.
The suit trousers have a wide extended waistband, slide-buckle side-adjusters, side seams curved forward at the top with on-seam pockets, narrow straight legs and turn-ups. They have a low rise and are hemmed with no break, which means they are very short and cover little of the shoes.
With the suit, Bond wears a white shirt from Tom Ford with a point collar, double cuffs, a front placket and back darts, which give the shirt a close fit. A light blue shirt would make this outfit more flattering to Daniel Craig’s complexion, but it would have to be a very pale blue so there is contrast between the suit and shirt. The stark white shirt overpowers Craig’s complexion. The tie is a silk repp in medium blue, which Tom Ford call their “blue” shade. It is 7.5 cm/3 inches wide. The blue is a close match with the hue of the suit, which makes it a good match in the classic Connery Bond mode. Bond ties it in a narrow four-in-hand knot. Bond also wears a folded white linen handkerchief in his breast pocket.
The shoes are the Crockett & Jones Norwich model. They are black calf five-eyelet, cap-toe derby shoes with Dainite studded rubber soles. The socks are a rather boring and unstylish black. Dark blue would have been a better choice, since it would extend the line of the too-short trouser legs.