We all know Turnbull & Asser for making shirts for not only four of the six James Bond actors, but also for Bond creator Ian Fleming and the first Bond film director Terence Young. What makes a Turnbull & Asser shirt the special shirt that it is? There are many parts to it, but the most important part of any shirt is its collar. The Classic Turnbull & Asser Collar has a very special shape. Turnbull & Asser describes the collar as having a “unique outward flare to the collar point.” The collar curves the opposite way from most collars, since the edge of the collar that sits on the body flares outward from the point rather than curve in. Frank Foster thinks the shape is counterintuitive since it goes against the shape of the body, but I find that it lays against the body just fine.
The collar is a very middle-of-the-road spread collar, not particularly narrow or wide. The points measure 2 7/8″, the back height measures 1 3/4″ and the collar band measures 1 1/8″ in front. There is 3/8″ tie space and the collar points sit 4 1/2″ apart. The collar is stitched 1/4″ from the edge, has a non-fused but moderately stiff interfacing, and has removable collar stays. Despite many Bond films featuring Turnbull & Asser shirts, the collar design is always made especially for the actor wearing it and James Bond never wears the Classic Turnbull & Asser Collar, except for maybe on the dress shirt in Die Another Day.
Turnbull & Asser’s signature cuff is their three button cuff. The cuff is 3 1/4″ long and is cut with an elegant curve to the buttoning edge—it’s not a square. The three button cuff, as well as the rest of their cuffs, has a non-fused interfacing, but it’s lighter than the collar’s interfacing. Like the collar, the cuffs are stitched 1/4″ from the edge. Turnbull & Asser doesn’t put a sleeve gauntlet button on their ready-to-wear shirts, except for on the Sea Island cotton shirts. Their cuffs are attached to the shirt with gathers rather than the more typical pleats. Gathers look very elegant, but they make the sleeve more difficult to iron.
Like most English shirtmakers do, Turnbull & Asser places the link holes on their double cuff close to the fold rather than centred. The link holes are one inch from the fold. This allows the cuff to flare out a little—which can get it caught inside a narrow jacket sleeve—and it shows off the cufflinks better. What also can cause it to get caught inside the sleeve is the square corner. Most people regard the square corner as more elegant over the more functional rounded corner, which slides through the jacket sleeve better. The double cuff measures 5 5/8″ long when unfolded.
James Bond fans know Turnbull & Asser for their cocktail cuff, or the “Two Button Turnback Cuff” as they call it. They say they invented the cocktail cuff, but they aren’t the only ones who make that claim. The cuff they make now is different from the one Sean Connery wore in his Bond films. Their modern turnback cuff is contoured where it folds back, and the corner is not rounded as much. This cuff is 5 5/8″ long and folds 2 1/8″ from the base, unlike Connery’s cuff which folds closer to the middle.
Turnbull & Asser folds a narrow placket on their shirts, at 1 3/16″ wide. The stitching is 3/8″ from the edge, which matches the stitching at the sleeve attachment and at the base of the cuff. The placket has a fused interfacing to keep it crisp. There are six buttons down the front of the shirt, not including the collar. Turnbull & Asser uses mother-of-pearl buttons, of course, but I find that they are not sewn on with enough slack and can be difficult to button.
On solid shirts the stitching and buttonholes matches the shirt, but on semi-solid shirts with white in the weave and on shirts with white in the pattern, Turnbull & Asser uses white stitching and buttonholes. The tails of the shirt are curved, and to reinforce the base of the side seams Turnbull & Asser uses a hexagonal gusset. The gusset is white on ready-to-wear shirts and made in the same cloth as the shirt on bespoke shirts. The back of the shirt has a split yoke, which according to experts serves no purpose on a ready-to-wear shirt since it only helps with uneven shoulders. However, split yokes make striped shirtings look very nice by forming a chevron. Under the yoke the shirt has a pleat on either side to give ease over the shoulder blades.