For Tomorrow Never Dies, costume designer Lindy Hemming looked to the 1930s for inspiration in designing Pierce Brosnan’s Brioni dinner suit. The 1930s saw many innovations in black tie by the Prince of Wales that continue to this day, such as midnight blue dinner suits and turn-down collar-shirts. Bond’s button one dinner jacket is midnight blue barrathea wool with midnight grosgrain-faced pointed lapels. Covered buttons match grosgrain lapels. Slightly wider lapels and Brioni’s typical strong shoulder are consistent with the 1930’s look. The dinner jacket has jetted pockets, four-button cuffs and no vents at the back.
The trousers have a grosgrain stripe down the side of each leg and double reverse pleats, a modern touch as opposed to the more traditional forward pleats that would more likely have been found on a dinner suit in the 1930s. I consider the reverse pleats to be the only downside to this outfit. The most unique 1930’s element is the black five-button, shawl lapel, double-breasted waistcoat. Even then this was not a popular style. The most common double-breasted waistcoat for evening wear has four, or occasionally six, buttons. The five buttons here are placed in a V-formation, and the buttons come out to be a little higher than the standard evening waistcoat yet still much lower than a waistcoat for daytime. The waistcoat is made in the same cloth as the rest of the dinner suit, with grosgrain lapels as well.
The Turnbull & Asser dress shirt is a more formal variation than Bond had ever worn before. Raising the formality is a marcella bib front without a placket and mother of pearl studs. This style front comes from the white tie shirt and was the style originally worn with black tie. Traditionally, mother of pearl studs were only worn for white tie and black onyx studs were worn with black tie, though what Bond wears is not incorrect. In the 1930s people started wearing shirts with attached turn-down collars and pleated fronts with black tie, but wing collars and marcella bibs were still popular with black tie. Here Bond pairs the less formal spread collar with the more formal marcella bib. The collar and double cuffs are also marcella. The body and sleeves of the dress shirt are made of a thin cotton poplin and the back of the shirt is cut with side pleats. The marcella front and turndown collar is a popular combination and more acceptable than the reverse: a wing collar with a pleated front. The midnight bow tie is a wide butterfly shape that balances the wide lapels. Bond’s shoes are black oxfords.
Whilst the studs and waistcoat are not particularly Bondian elements, and probably not things that Ian Fleming would consider, this is one of the most unique and interesting—but still classic and elegant—black tie ensembles of the series.